 Chew Seow Phuang
I'm a ceramic artist whose primary medium is clay. I feel that it is the responsibility of an artist to be making a statement through their art whether it is about the use of form, texture or colour. I attempt to show that things are not necessarily as they seem on the surface or as we expect them to be.
Clay is the most fascinating and seductive medium for expression. Expression can give the work a feeling of energy, commitment and relevance. I convey emotion by the forms and surfaces that have been handled.
Seow Phuang is the co-founder of Clay-Street.com. |
Echo of Love |
Yum Seng |
Tea Pot XXX |
Summer Breeze |
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 Eddie Goh
Eddie Goh embarked on his journey with ceramics in the year 2000. He developed his unusual style through years of sketching and working with fabric, paper, wood and metal.
His ceramic work is characterized by an almost fragile sensibility to the forms of nature, an emphatically anti-geometric aesthetic, attention to details as well as the imaginatively use of unusual combination of material. It is an eloquent expression of his affection for ceramic and arts.
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Light of Light (Porcelain) |
Red Earth (Stoneware) |
Seed (stoneware) |
Arise the Phoenix (White Raku / Wool) |
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 Graham Hay
I have borrowed imagery from architecture and nature in my attempts to suggest the cycles, rigidities and dynamic nature of creativity and movement in our society, and within myself.
My art practise is based upon two simple things - Paper and clay. I create and fire paperclay sculptures, and carve compressed paper sculptures.
Since 1993 I have exhibited and given workshops on paperclay. The growing interest in my work has enabled me to learn how the arts and crafts are organised in society. The ceramic paperclay work is an attempt to illustrate this organisation of the arts and crafts. |
Caught (Handmade Herend Porcelain paperclay) |
Net III (Ceramic Earthenware & Terracotta Paperclay ) |
Paper Over (Paperclay, stock images books, steel ) |
Extreme (Ceramic stoneware paperclay) |
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 Greg Crowe
My current salt-glazed work concentrates on clay bodies and slips developed from locally dug materials. I am fascinated by the colour responses in areas protected or shielded from full exposure to the salt vapours.
Highly respected for his wheel-throwing skill and woofiring effects, Greg's vessels explore the textural boundaries of the clay body. Stretched and torn, roughly marked surfaces are enhanced by their salt-glazed veners, in varying degrees of transluceny, and in a range of diverse colour. Greg is the lecturer for ceramics at the West Coast College of TAFE, Carine Campus in Western Australia.
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Storm |
Looseness |
Majesty |
Solar Grace |
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115A Commonwealth Drive 
